The exhibition, part of the OFF program of [PHotoESPAÑA 2026] and displayed at Havet Gallery (calle Velázquez 86A), stands out for its unconventional approach. Instead of capturing animals from afar, François uses a medium format analog camera and a wide-angle lens, tools more akin to studio portraiture, to achieve extreme closeness.
This method allows for visually intense encounters, where each animal appears isolated and directly confronts the viewer's gaze. The work connects with the tradition of contemporary photographic portraiture, referencing figures like Richard Avedon.
“"The images do not seek to idealize or sentimentalize nature, but to show the individual: their presence, their dignity, and their vulnerability."
'Wildlife Portrait' engages with the history of animal representation, from medieval bestiaries to scientific observation and naturalist expeditions. François's work merges observation, science, and art, applying the logic of studio portraiture to the realm of wildlife.
The analog process, using black and white and darkroom development, adds a layer of uncertainty and technical precision. François's work also carries a strong environmental dimension; her series Animalia stems from a concern for the planet and its creatures, with a percentage of artwork sales dedicated to conservation.
Nine François, based in Austin, Texas, holds an MFA from the University of Texas at Austin, and her work is part of permanent collections at institutions such as the Museum of Fine Arts of Houston and the New Orleans Museum of Art.
